As a basic fan, and as a curator of a Dead Music project. (Competition was pretty tough, if you search '02-21' in the Archive!) Unless the poster is hiding a LOT more work than just some noise reduction, this is one of the best SBDs I've heard. It made #DeadOnThisDate for it's recording quality, those incredible Drums (headphones!), and so many "new" songs in one show, and also too: SLC. Every effect just swirls, and is allowed to drift up or drop down as high or low as it needs to.Īs a (mostly) raw recording, this is gorgeous. The separation, and dB range is beautiful, and oh, so clean and bright for stream audio. To each, ymmv.Īs far as recording quality goes, this is top-notch for even SBD recordings, despite the couple, odd static hits in "Foolish Heart," and elsewhere. "Quality" isn't a real factor between the two, just which makes your ears feel better. They were both part of the same output snake.
The few "differences" I do hear are head/basic processing aspects proprietary to different deck Brands. Well, for a 1995 show, this one is pretty dambed fine, and I'd either need a better set of headphones, an ear transplant, or be a better Audiophiliac Snob to hear much difference between this SBD recording and Charlie's recording. Even though this was a February show, I can picture myself laying out on the grass at Alpine, or Pine Knob on a warm Summer night, and grinning like a kid at every thing. I think this is a perfect example of a Vince Show. Vince always brought a certain feel to every show he played, and I always felt really comfortable and easy on those nights. They sound like a band of professionals who've been doing this for three decades, and are here to tell ya. This is one of those shows, and damb, it sounds SOLID. sigh.Īnother thing I appreciated were those shows where they slowed it all down, let the songs breathe, and gave themselves time to play with the music, and the vocals (or to remember lyrics!). It was SO easy to imagine that new album.
#Doodle devil flash full
This show brought nearly their full new batch of songs on stage together. Always a real treat to hear a new song during that time- a little thingy added here and there each time, just knowing that, since the boys were making albums, again, these would be beautiful when laid down in studio. One, they developed songs live, in front of a live audience, warts and all, from mid-song diddies, to long jams, through to full songs. I always liked a couple of very specific things about the Dead. Seeded to etree by Please get in touch asap about corrections, problems or flaw information. The sound is not audible in all quiet passages and is *generally* in time with the music.
^Unsure whether this is a percussion instrument a little hot in the mix or a digital blemish.
If any minor editing, noise reduction, and/or minor EQ processes were necessary, they were performed between 80% and 100% in thedigital realm at Serafin Station Studio B ().ĭ2t01 10:09 to 10:13 right channel staticĭ2t03 1:12 to 1:15 right channel static (low level)ĭ2t05 ^Soft clicking occasionally throughout (see note)ĭ2t06 ^Soft clicking occasionally throughout (see note) First "Salt Lake City", last "I Just Want To Make Love To You": 10-08-84
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